![]() I’ll press Shift-C to call up the crop tool, then crop out the unwanted pixels. Here, we see part of the set at the right and left edges of the frame. Before you apply a keyer effect, you should remove any area in the frame that won’t be part of the final composite to make it easier for the keyer to evaluate the image and give you a good key right out of the box. ![]() I connected an audition clip containing some images of a vineyard to be used as the background. If you’d like to know what paint I use, there’s a link in the description section below. Here he’s doing some of his dub-step moves in front of a 1010 chromakey green painted wall. It’s the season for wearing silly costumes, and my son Andy found this inflatable suit that makes him look like a…giant grape. In this episode, I’m going to show you how to use the automatic options built into Final Cut Pro’s keyer to get great results from your green-screened subjects. Welcome to Final Cut Pro X in under 5 minutes.
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